Tag Archives: weathering

1/72 Ostmodels KV-5

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I wrote a review of this model on Armorama; a lot of the introduction is plagiarised from there. The first time I learned about Ostmodels was when I was browsing Henk’s Military Modelling website. The company is based in Australia, and is focusing on a niche of AFVs neglected by other manufacturers. Their models are designed for both the modeler and for the wargaming market. You will find experimental tanks, paper panzers, or tanks manufactured by smaller countries (like the Nimrod AAA tank). It is a very small company, and models are made on orders, so you have to wait if you fancy any of their products, but the wait is definitely worth it. Not to mention it’s nice to know that the model you bought was made for you especially. (And it’s not as if most modellers did not have a couple of boxes in our stash to finish, anyway…)

There is precious little information available about the KV-5. Planning of the tank (Object 225), based on the experience gained with the KV-4, started in 1941. The planned role of the tanks was to act as a break-through tank; this lead to some unusual features in the design. The hull was relatively low (less than a meter high), which meant that the driver and radio operator/machine gunner needed their own separate turrets/compartments to sit in. This also provided the driver a cupola with a good field of view even buttoned up. The three-man turret was very big and spacious, with a turret ring diameter of 180 cm, and contained a 107mm gun. (And judging by the size, possibly a book shelf and a kitchen top.) The whole tank was heavily armored (which was needed for both the intended role, and for the fact that the tank had an enormous silhouette presenting a tempting target), and weighted about 100 tons. Due to the lack of adequate engine to move this much metal, the vehicle had two parallel V-12 engines mounted as a power plant (which accounts for the unusually long chassis). Because the siege of Leningrad necessitated the increased production of heavy tanks of proven design, experimental work was suspended in the Kirov Plant to build the KV-1. Since the Russians did not seem to share the fascination of superheavy tanks with the Germans, focusing on the production of the more practical, lighter, more mobile medium tanks instead, the KV-5 project was eventually cancelled.

The kit is packaged into ziplock bags, which is enough to protect the parts from breaking. It consists of about 120 parts of light polyurethane resin.

The build was actually quite pleasant once I was done with the cleanup. The cleanup is tedious, though. Fire up your favorite DVD or TV show, get a scalpel, and start removing the thin film around the parts.

As with the SU-100Y the painting and weathering was somewhat of a protracted process. When I first worked on this kit I did the basics relatively well, but then I ran out of steam so I declared the model finished, and put it in a display case. From there it was looking at me accusingly for almost three years.

So the first stage I used a grey primer, and the hairspray technique to produce chipping on the following green coat. As usual yellow and brown filters were used to give the tank a bit more interesting look (a single hue green does look boring), and slapped on some brown filters as mud, and that was it.

A couple of months ago I got myself together and took it out of the display case again. I blended a lot more oil colors with the surface; it essentially meant I was “massaging” small amounts of oil paint with a dry brush. Since oil paints are somewhat transparent, the effect is pretty interesting and -more importantly- realistic. (As you can see the overall hue of the tank changed quite a bit.) One very important thing before you do this, though: make sure you put some oil paint onto a cardboard surface for about 30-60 minutes, so the linseed is removed from the paint. This ensures it will dry flat. (You can also buy specialized paints for model builders which do dry flat straight from the tube.)

I used dark brown washes on the pigments representing mud to make their color a bit more realistic and varied; I also added some more using the “add and remove” method and AK’s earth effect product. I added dust (using Mig Ammo’s washable dust product) and some oil stains, again with AK’s product. I used some black washes on the engine deck grilles to bring them out a bit more, and finally declared the tank finished -again.

 

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1/35 Meng Renault FT-17 part 3.

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Please find part one and two here.

Well, the tank is finally done. It took me a long time to build, it was one of those builds which just did not want to get done; even though the model itself is just amazing.

Last steps: mud and dust… again. I have to admit I did the different stages of muddying the tank parallel to the T-55AM; everything written in part 6 applies here, too.

Quote:

The next step was to apply dust. Dust and mud are the two things I’m not really good with, so this part I put off as long as I could. I settled for AK’s dust products, and mixed my own mud.

AK’s dust comes as a suspension; when you apply it, it goes on thick, and the results are not very pleasing. At least this is what I thought at first. As with everything I realized the secret is not adding stuff to the model, but removing it after. I diluted some of the mixture in white spirit, dabbed it onto the tank, waited some time, and then using a wet brush I removed most of the dust, spreading it around, adjusting it. The key is to be patient: you can always repeat the procedure (in fact, you should), if there’s not enough added. Adding less is always  preferable to adding more.

One the dust was dry, I went on mudding up the lower chassis.

What I failed to realize for a long time is that it’s not enough to buy a product called “mud”, and them smear it onto the tank; just as you can’t just cover a tank with a paint labelled “rust”, and expect realistic results. Obviously the results will be sub-optimal; there are really no shortcuts in mud. (I feel this sentence carries some deeper, more profound meaning.) Even if you buy custom-made products you still have to learn how to apply them, and that’s that. And since you need to learn it anyhow, you might as well save some money and make your own mud.

The first layer was simple pigments suspended with water. I dabbed it on, then after it was mostly dry, removed some using a brush. A day later the procedure was repeated with a different color. The key here is layers; just like Shrek, mud has layers, too. Old mud tends to be dryer and lighter; newer deposits tend to be thicker, darker and placed lower. I dabbed the pigment-water mixture all over the lower chassis, the side-skirts, even on the top of the mudguards (in a much more diluted form).

I also splattered some using a loaded brush and a toothpick onto the side-skirts; any splatters that were out of place (on the side of the turret, for example) was removed with a wet brush using downward motions, leaving a very faint streak behind. I’ve also used Vallejo’s mud product on the side-skirts; it produces quite dark splatters which are quite different from how it looks like on the photo on the bottle.

A day or two later I decided to try something I’ve never done: I made thick mud. I used Mig’s Neutral Wash as a base. I got this as part of a set, and frankly I can’t really find any use for it; it’s too grey to be a “normal” wash. If you know how to use it, please let me know.

It did serve as a good medium, though. I mixed in a lot of brown pigments of different shades, some sand and some static grass, and then offering my soul to the gods of model building, I proceeded to apply the mixture to the lower chassis.

The method was the same application/removal as before; with a brush dampened with white spirit I adjusted the amount of mud on the wheels and chassis. I also added some on the mudguards (and sprinkled some on). The results are actually quite spectacular; I did not dare to hope for such a nice effect.

Once the mud dried (I gave it a week), I used my graphite pencil to give some metallic shine to the edges. The exhaust was treated with different rust colored pigments and brown washes.

The last stage was to take care of the remaining small details. I painted and installed the tools; the PE straps were a pain to add. The painting was relatively easy: the metallic parts were treated with the Vallejo primer and then rubbed some steel pigments to make it look like metal. The edges were dry-brushed with AK’s true metal steel paint. The handles were painted with buff, and then using a stiff brush I gently painted some brown oil paints; this made the surface uneven and gave an impression of wood grains. If you take a look at the instructions you’ll see that the hammer should have been installed under a plastic part during the construction. I left it off deliberately to make painting it easier. Installation was simple: I cut the handle in half…

I painted the straps of the tool box, and the construction was essentially finished.

 

 

 

 

 

 

 

 

 

 

 

Tamiya T-55A and the whole nine yards part 6.

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This is the last part of the building of the T-55. Just in time for the MiniArt T-55A with full interior to come out, but to be honest I don’t really mind; I’ve been collecting parts for this build for a long time -it does have a sentimental value for me…

Previous entries:

1.

2.

3.

4.

5.

As with all builds, I’ve learned a lot from my mistakes; and I finally know what those things sticking out of the back of the turret are. Which is nice.

 

The last time we left off the tank was mostly finished; the filters I wanted to apply were on, pin washes finished, and everything was ready for the weathering. Before I started I added some decals, though. The markings are fictional; I’ve printed out some Hungarian markings and used a number from the MiniArt T-44 set; the only thing that is not fictional about the tank is that the AM version was in service of the Hungarian armed forces. I know purists will be horrified, but I just did not have the energy to do hours of research to find one particular tank to model. (Ironically I have an amazing book on the history of the Hungarian Armoured Forces – two thousand miles from here…)

I also needed to paint a couple of details, such as the canvas cover for the gun mantlet, but mostly the tank was done.

The next step was to apply dust. Dust and mud are the two things I’m not really good with, so this part I put off as long as I could. I settled for AK’s dust products, and mixed my own mud.

AK’s dust comes as a suspension; when you apply it, it goes on thick, and the results are not very pleasing. At least this is what I thought at first. As with everything I realized the secret is not adding stuff to the model, but removing it after. I diluted some of the mixture in white spirit, dabbed it onto the tank, waited some time, and then using a wet brush I removed most of the dust, spreading it around, adjusting it. The key is to be patient: you can always repeat the procedure (in fact, you should), if there’s not enough added. Adding less is always  preferable to adding more.

One the dust was dry, I went on mudding up the lower chassis.

What I failed to realize for a long time is that it’s not enough to buy a product called “mud”, and them smear it onto the tank; just as you can’t just cover a tank with a paint labelled “rust”, and expect realistic results. Obviously the results will be sub-optimal; there are really no shortcuts in mud. (I feel this sentence carries some deeper, more profound meaning.) Even if you buy custom-made products you still have to learn how to apply them, and that’s that. And since you need to learn it anyhow, you might as well save some money and make your own mud.

The first layer was simple pigments suspended with water. I dabbed it on, then after it was mostly dry, removed some using a brush. A day later the procedure was repeated with a different color. The key here is layers; just like Shrek, mud has layers, too. Old mud tends to be dryer and lighter; newer deposits tend to be thicker, darker and placed lower. I dabbed the pigment-water mixture all over the lower chassis, the side-skirts, even on the top of the mudguards (in a much more diluted form).

I also splattered some using a loaded brush and a toothpick onto the side-skirts; any splatters that were out of place (on the side of the turret, for example) was removed with a wet brush using downward motions, leaving a very faint streak behind. I’ve also used Vallejo’s mud product on the side-skirts; it produces quite dark splatters which are quite different from how it looks like on the photo on the bottle.

A day or two later I decided to try something I’ve never done: I made thick mud. I used Mig’s Neutral Wash as a base. I got this as part of a set, and frankly I can’t really find any use for it; it’s too grey to be a “normal” wash. If you know how to use it, please let me know.

It did serve as a good medium, though. I mixed in a lot of brown pigments of different shades, some sand and some static grass, and then offering my soul to the gods of model building, I proceeded to apply the mixture to the lower chassis.

The method was the same application/removal as before; with a brush dampened with white spirit I adjusted the amount of mud on the wheels and chassis. I also added some on the mudguards (and sprinkled some on). The results are actually quite spectacular; I did not dare to hope for such a nice effect.

Once the mud dried (I gave it a week), I used my graphite pencil to give some metallic shine to the edges. I used some black pigments on the side-skirts directly next to the exhaust, and applied some oil stains. Again; I just used AK’s and Vallejo’s products slightly diluted. I made bigger, more dilute patches, and once these dried, added smaller patches on top of them with oil products slightly less diluted.

The external fuel tanks on the back were given some diesel stains. (I admit I did not scratch build the piping that would allow the tank to use these external tanks. I did make the pipes for the smaller external tanks if it’s any consolidation, though.)

That’s pretty much it. I finally have a T-55AM with full(ish) interior. It was a pretty long (and expensive) undertaking. To be honest I can’t recommend anyone doing the same- after all, there will be an all-plastic alternative available by MiniArt soon, with a much better detail than the CMK set. (A subject of a later set of posts…)

 

 

1/72 Ostmodels SU-100Y

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One look at the SU100Y and you realize that the designers wanted to send a message: Mother Russia does not do subtle. It’s essentially a metal house on tracks and a huge gun in the front. The internal volume suggests that besides an engine and some space for the gun and ammo, the Soviet engineers managed to fit a sauna in for the well-being of the crew.

Looking at the sheer size of the thing, one would be forgiven to think it was only a paper project, but a prototype was actually built and even used in battle.

The basis of this vehicle was the T-100 heavy tank prototype, which was a multiturreted heavy tank designed in the late ’30s. It failed field trials miserably in Finland; however the hull was still useful for other purposes. After the experience of the Winter War, and the difficulties of destroying fortifications, it was realized that large caliber assault guns were needed to overcome fixed defenses. One –more successful, but that does not say much under these circumstances- such vehicle was the KV-2. The other, finalized design was the SU-100Y, which was essentially a siege-gun, mounting a 130mm gun. The vehicle went through a couple of design-phases with different superstructures and guns, but the main idea remained the same. The final version had the 130 mm naval gun (B-13-S2) stuck onto the chassis of the T-100, and was intended to demolish fortifications encountered during the Winter War. The large casemate structure is a result of necessity: it was the only way to make the ammo handling practical. Considering the size, the armor was paper-thin; this, coupled with the enormous silhouette made the vehicle especially vulnerable. It arrived too late to take part in the hostilities in Finland. The sole prototype, however, got its chance to fight during the defense of Moscow (and -despite its size and lack of armor- it survived). Fortunately it was not scrapped, and today it can be seen in the Kubinka Tank Museum. (Other sources say it did fight in Finland; I do not have access to Russian documents, so it’s difficult to know for sure.)

 

Ostmodels offers both the SU-100Y and the T-100. These kits are made for order, so you will have to wait a bit before they arrive, but the wait, I think, is well worth it.

The SU is a relatively simple model. The whole chassis and superstructure comes as one part, the gun mantlet and gun come as a separate part, and finally the running gear and tracks. Essentially that’s it. The bag consists of quite a lot of parts, but most of them are the road wheels, suspension arms and track sections. The basic construction is quite simple. While it is quite tedious to attach each road wheel to its suspension arm (more on that a bit later), it makes it possible to depict the vehicle on an uneven terrain.

All of the parts were packed into two Ziploc bags, with a small leaflet. There are no instructions included with the kit, but the construction, as I mentioned, is straightforward.

The detail in general is good and sharp. The gun is reinforced with a metal wire, which makes sure that it will not warp or break easily; I found this solution by Ostmodels an especially nice touch. The road wheels come as one unit (every wheel was made out of two wheels attached to each other). This means that the groove between the two halves needs to be cleaned up, as there are bits of resin there. The detail on the rubber tires is somewhat soft.

Due to the casting technology, there is a very thin film of resin attached to every part, which makes cleanup a very tedious process. (However no need to saw gigantic resin plugs, which is always a plus.) Once clean-up is complete, the build itself is very simple, although not without challenges. Well, one challenge, to be fair. The suspension arms are somewhat of a weak point of this model. Their ends are supposed to fit into their respective holes on the lower chassis, but this fit is way too tight; either the ends are too thick –or the holes are too small. There are no locator pins, which mean the swing arms can be positioned in any position (you can depict a vehicle on an uneven terrain, a vehicle with broken torsion bars. However, if you plan to depict the vehicle on a flat surface, then you are probably better off building a small jig that helps you position them accurately and evenly, as in the case of the Miniart SU-76. This jig would ensure that there is an even distance between the hull and the surface the model is standing on.

It’s also probably wise to insert small wires into the attachment points to make the joints more stable –and also flexible until you set the arms into their correct positions. Putting some support between the hull and the other end of the arms (where the wheels are, and hence they cover this support) is also probably a good idea, as the model itself is quite heavy. I used strong two part epoxy glue to fix the arms into their place, and small pieces of plastic to reinforce the whole running gear; if you are careful, it is not visible unless you turn the model upside down. (The wire idea came way too late in the building process, and the whole setup is a bit wobbly.)

Using online references (mainly the photos of the vehicle), and the included technical drawing, the location of parts is easy to determine. The tracks are provided as short, straight sections, and you will need to warm them up with a hair dryer or hot water, to make them soft enough to be wrapped around the drive wheels and idlers. There really is no more to say about the build –once you glue the road wheels and tracks on, you are done. The large, flat surfaces offer a lot of opportunities for weathering; the model is about the size of a 1/35 panzer I.

Painting happened in two stages with about three year between the stages… The black primer was followed by a usual Russian Green Tamiya paint, and then some filters -both as solution (about 5% oil paint suspended in 95% white spirit), and as dots. (Different oil paints dotted onto the surface and removed with downwards brushstrokes using a wet brush.) I used MIG’s dry transfer set for the slogan on the side. The mud/dust application was not the most convincing one, I have to say.

Not long ago I took the model out of the case, and gave it some more love. The sides and top received a bit more treatment using brown/yellow oil paints; I carefully and gently blended the paint with the base green, producing a bit more interesting surface. I also used brown washes on the mud deposits, making them look a bit more realistic.

Mig Ammo’s washable dust was applied onto the top in a very diluted solution; when it dried it formed a very discreet, very subtle and uneven dust layer.

I guess the point of this post (apart from showcasing a rare tank destroyer by a relatively obscure producer) is to demonstrate that it’s worth going back to older builds to improve them. If nothing else you won’t feel bad experimenting on them, and in the best case scenario they will be significantly improved.

 

 

 

 

 

 

1/35 Meng Renault FT-17 part 2.

Please find part one here.

So yes, the engine was finished mostly in black with all the piping, etc. done in glorious copper and bronze. AK’s steel pigments were used to give a metallic shine to the transmission and the metal body of the engine.

 

Looking at the interior it must have been singularly unpleasant to actually fight in this tank. Yes, it was a revolutionary design, but it still had a couple of leather slings for the commander to sit on, he had almost zero visibility, and the driver probably better had his feet removed because there was not much space for him to fit them.

 

I chose one of the kit’s paint scheme; unfortunately this is where the instructions fall flat a bit- only a side-drawing is provided. The box art gives a slightly different perspective but I still don’t know what the right side is supposed to look like.

Regardless the model was first painted with Vallejo’s German Grey primer, followed dark green in several layers. Each consecutive layer was lightened a bit with the yellow (actually Dunkelgelb by Mig Ammo). I focused the lighter colors on the top and the middle of the panels; even the full-green pain scheme looked pretty good in my opinion.

Once the green cured, I masked it with silly putty, and proceeded with the yellow, then the brown. The brown was Tamiya’s NATO brown with some yellow added.

Once the main steps were done I had to retouch some parts with a brush; these masking jobs never turn out perfectly.

 

The contrast at this stage was pretty stark between the colors; light brown and yellow filters helped to blend them a bit. Once everything dried I applied varnish on top, added the decals and sealed them with another layer of varnish.

 

I applied dark brown wash to the rivets and other small details, and used a wet brush to remove the excess after 30 or so minutes; this created some nice, pleasing streaks. I also used some streaking products by AK to add further streaks.

 

 

1/35 Meng Renault FT-17 part 1.

I’m finishing up long outstanding builds… so I have several of these builds running parallel. I’m finishing up the T-55 (and quite a few others) alongside of this build.

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This is probably the most iconic tank -ever. (Or it should be.) Meng has come out with a really excellent model of it a couple of years ago, and this February I just gave in and purchased one at my local hobby shop.

I was not disappointed. The manual is excellent (and gives a pretty good history of the model), the instructions are clear, the quality is top-notch. AND it comes with an interior. I have to say I fell in love with Meng.

 

 

The assembly is quite straightforward, with a couple of issues, though. (What model is without them, right?)

The suspension actually works; you get little metal springs with the model, which is nice; putting it together, however is a bit fiddly.

 

 

The engine is very well detailed; most of it will be hidden, though if you choose to install it. For this reason I decided I’ll display it in front of the model, as I did with a couple of other kits before (T-34, T-44…)

 

The interior got the usual heavy treatment. I used a black primer (acrylic spray… since then I switched to Vallejo’s German Grey primer), which was followed by an enamel-based varnish, and Tamiya’s flat white. If you use high pressure, it can be sprayed with very little dilution, which will result in a solid cover (always an issue with white and yellow).

I used the windex chipping method to create worn surfaces, with the black showing through. The contrast is quite high; in retrospect I should have used some brown instead.

Once the model was try I used oil paints to create discoloration and streaks on the side-panels. The interior details are quite nice; the painting of the ammunition in the ammo rack is a pain in the neck, though. (There’s a choice of main guns; the machine gun option would leave you without this chore.)

The bottom of the engine compartment was treated with different AK and Vallejo products (engine grime, oil, fuel stains).

I took some artistic licence painting the engine; I tried how it would look like if I installed it, but eventually decided that it will be displayed outside of the tank.

Once the interior was finished I assembled the hull; the tank was ready for painting.

 

 

 

 

 

Tamiya T-55A and the whole nine yards part 5.

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Please find the first, second, third and fourth part here.

I used German Grey primer by Vallejo to create a good, sturdy surface for the subsequent layers of paint. I used to use spray cans as the application is quick, but it’s also somewhat risky. (You can easily flood the model with paint.) Setting up the airbrush and the fume extractor (paintbooth) is time consuming, but I think overall it’s a better alternative. This particular primer is pretty easy to use, too, as it does not require any dilution; it can be sprayed straight out of the bottle. I sprayed the lower sections of the anti-HEAT rubber sideskirts separately.

Once the primer dried, I sprayed rough patches of different rust colors, making sure the rubber side-skirts remain dark grey/black (with the scale effect I found dark grey looks better than full-on jet black).

I assembled the tracks using a very thin liquid glue. I normally glue two links together, and then join up these sections into larger and larger sets of links. The glue allows for relatively long time to work the tracks, so it’s relatively simple to push them around the drive wheels and idlers after 30-40 minutes of drying time. (I almost switched the drive wheels and idlers; I’ve built too many German tanks lately I guess.)

The tracks were painted with the same primer, rubbed using a metallic pigment to give them a nice, steel shine. I also applied some rust colored washes (relatively bright orange to dark brown) at this stage. (The dust will be added later.)

I went over the model using OD green from Tamiya on the lower chassis and road-wheels. This is a dark, an almost grey-green color; this color represents the darker areas covered by shadows. I painted the rubber rims with a dark grey color. This was layered with different dust and mud colors, pigments and other weathering techniques simulating dust and caked-on mud. I tried Tamiya’s dust and mud weathering sticks as well. I pushed the stick onto the surface, and used a wet brush to spread the paste around; it’s actually pretty easy method yielding realistic results.

I installed the tracks, and glued the rubber side-skirts into place.

I added AK’s Chipped effects in two layers, and waited again for things to dry. It took about an hour or so, and then I painted the tank with the same OD Green as I applied to the lower chassis.

I kept adding tan and yellow to the base color, and kept layering it onto the tank from the top of the tank; I wanted to lighten up mostly the surfaces that are illuminated by the sun (and which are normally more faded, anyhow). Adding yellow to the base green yielded a pretty nice Russian green, leaving the original color in the recesses.

I waited about thirty minutes for the paint to dry, and started to create the worn-off, chipped paint effect using a wet, stiff brush. I applied some water onto a small section, waited a bit, and used the stiff brush to wear off some of the top layer. (Sometime I managed to rub the paint off to the resin; these sections were retouched with primer.)
The chips on the rubber parts revealed a dark grey color, corresponding to the rubber; chipping on the rest of the tank showed different hues of dark brown representing rusted metal.

Once I was happy with the amount of paint chips, I waited for the tank to dry.

True Earth has a couple of filters in their product lines; I bought them a while ago, but had no luck with them so far. (I did work out you needed a very flat surface to apply it; the surface tension tends to pull the filter into droplets.) I sprayed some dark aging and light aging filters on some selected areas without diluting the product: around the turret, on the lower part of the turret, on the bottom of the tank; the effect is not as smooth as I wished it to be, but it does produce an interesting discoloration here and there. Not what I was going for (I was lead to believe applied it would look more like a darkened patch paint with a smooth transition), but a good one nevertheless. (It’s just one of those things: a product that promises easy and spectacular results turns out to be not so easy to use after all. The thing is if you need to have a learning curve to use something to make your job easier, it does not necessarily fulfil its promise.)

I applied traditional dark brown oil filters on the bottom part (with the side-skirts), and a light brown filter on the top. Another filter, bright yellow this time was applied on the top surfaces only. The tank was given some time to dry (a couple of days) and then I tried something I wanted to try for a long time: Tamiya transparent paint as filter. I used green on the bottom parts, which were supposed to be darker, and yellow on the top again.

After two days of letting the tank dry I sealed everything with a coat of gloss varnish, which was followed by a dark enamel pinwash.

The overall effect is quite nice; I managed to get that yellowish-brownish green I was going for.

The tank is now looking like an actual vehicle…

1/35 ESCI 7.5-cm l.I.G. 18

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Another old build finished… This is the model of a 75mm light infantry howitzer used by the German army.

The model is quite hold- it’s older than I am in fact, from 1976. I got it as a present from a friend years ago, back in the US, started to build it halfheartedly, and put it away in 2009 half-finished when I moved over to the UK. It was made of cheap-looking bring green plastic (similar color to the Army Men toys), and was not exactly inspiring me to finish it. It received a panzer grey coat, and that was it.

It’s incredible how much presentation matters with models. The “Eastern European” 1/72 kits (UM, Attak, etc) look pretty shabby and amateurish unpainted. Flash everywhere, the plastic is not the best, the attachment gates are thick… and usually the plastic has weird, uneven colors – nothing to drive you to press on with the build. Case to the point: my KV-2 build. It had a strange, toy-like feel to it unpainted, but once I applied the primer coat, it’s all gone, and suddenly you have a pretty detailed model in your hands. Whereas a professionally packaged kit with crisp details and good looking instructions can just make you want to drop everything and start building it. I might be shallow, I know, but presentation matters.

I dug it out three years ago from a box in my mother’s attic; by that time one of the wheels broke off. I brought it with me to the UK, but it was kept in a box forgotten and unloved. About two months ago I got fed up with stalled projects; so the SiG got a new lease in life. Since it was the quickest to finish, I thought I’d start with it. I drilled a hole where the wheel axis was, re-attached the wheel with an evergreen plastic rod, and started weathering the gun. It’s not a very detailed model (the breach assembly, the optics are very much simplified), but it’s detailed enough.

First step was a couple of light coat of blue filter; which was followed by some dark brown pin washes.

Once everything dried I added some lightened base-coat to the raised details and edges as highlights.

I tried a couple of AK products on this build; after all this seemed like an ideal opportunity to practice – if I improve the looks, fine; if I mess up the build, then that’s fine, too.

I did some streaking using different streaking products. Add a dot using a small brush, and used a moist (almost dry) wide brush with downward motion to form the steaks. I also added rust-streaks with the same method. I also added earth effects to the bottom of the gun shield and the carriage. I was reluctant before to use this particular product, as the contrast seemed high when I applied it. Once it’s semi-dry, you can (and should) remove, adjust the pigments with a moist brush. After drying the contrast will be much smaller, and the effect more realistic.

I also tried some of the dust effect products around the rivets and whatnot; they work reasonably well. To be honest using oil paints and pigments diluted with alcohol/white spirit/water is still a better option, but I might just be too old school for this.

As finishing touches I used Tamiya’s make-up set to add more dust and some metallic shine to the gun.

Is it a good model? Not particularly. It was nice, however, to finally finish the build. I built up a small stash when in the US, and it feels good to finally start building these models. (Even though a lot of them are somewhat outdated; we finally have a King Tiger with full interior in plastic, and MiniArt’s T-55 is coming also with full interior, I still feel good about finishing them.)

 

 

1/72 M56 Scorpion – OKB Grigorov

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I’ve written an in-box review of this model for Armorama; I think it’s time to show how it looks when finished.

The M56 Scorpion was an attempt to supply a gun platform for the US airborne forces that can be easily transported by airplanes, and can be deployed using an air-drop. This requirement pretty much made it impossible for the vehicle to be armored, so it is essentially a gigantic 90mm M54 gun on a dodgem chassis. Crew comfort (and safety) also took second place to the size requirements that came with the airborne deployment option.

The M56 was developed and manufactured by the Cadillac Motor Car Division of GM from 1953 to 1959. It was a small, fully tracked vehicle, powered by a 200 hp engine with a maximum road speed of 45 km/h. It had a crew of four: commander, driver, loader, gunner. The ergonomics of the vehicle were, let’s put it lightly, not very good. The loader had to disembark before the gun fired, and jump back holding the ammunition. The gun recoil also endangered the commander. The only part that can be considered armor on the vehicle is the gun shield, which has a large windscreen cut into for the driver negating its effectiveness somewhat; the rest of the self-propelled gun is about as armored as my Nissan Micra. (Another thing that it has in common with my Micra is that it has pneumatic tires…)

The M56 was in service in the USA, Spain, Morocco, and the Republic of Korea. It was used in Vietnam by the 173rd Airborne Brigade.

There are not many models available of this little AFV; I’ve found a very expensive resin one in 1/35th scale by Hobby Fan, and there’s an old OOP (and quite inaccurate) Revell kit; other than that there’s the 1/72nd scale OKB kit reviewed here. As usual, World of Tanks introduced me to this vehicle, where it is a premium American tank destroyer; and since I liked the way it looked (and have it in my garage) I was really anxious to get a model of it.

 

Considering the size of this vehicle the number of parts (especially the amount of PE) is quite high. The model is made up by approximately 70 resin pieces and about 70 PE parts… all this is in a model that can almost fit into a matchbox.

The resin is smooth, and of different color. The detail is crisp, and the fit is quite good generally. The PE frets are the thinnest I’ve ever seen. (It’s quite easy to crumple them, so be careful; it feels like a thick aluminium foil rather than photo-etched brass.) The tracks come as resin sections which need to be warmed up before shaped to the running gear. The detail is excellent, and there is very little flash anywhere.

 

The instructions are computer generated, and frankly, not very helpful. They show different views of the assembled model, but unfortunately do not instruct on actually how to put the model together. Before gluing make sure you understand how the parts should be fitting; I did make a couple of mistakes during assembly.

The exhausts for the engine seem to be shorter; there should be a section that is turning down at a right angle from the end of the exhaust pipes.

First mistake I made was to wait with the mud guard until I finished with the running gear.

If you decide to give this kit a go, make sure you glue the mudguard onto the hull first. The simple reason is that the PE covers the whole side with cutouts for the suspension units. These holes are way too tight to slide it over the suspension if it’s already in place. I had to widen these holes considerably in order to be able to fit the mudguards into place.

The other big issue for me was the suspension arms. They look very similar, but the front and rear suspension are not identical. I accidentally mixed up on one side, and hence the wheels are a bit wonky.

Other than that, most of the model went together OK. I had to make the headlight protectors out of thin wire (I normally use soldering wire as it’s quite soft). The tracks were somewhat thick and rigid, but with a lot of patience (and hot water) they did go on eventually. The hole on the gun shield has a plexi protector for the driver; I left it completely empty, since any transparent acetate sheet would look foggy and thick in this scale. (I would need something that’s about 0.2-0.3mm thick.)

I’m not sure that the back platform is depicted as open or closed up; probably closed up due to the 2 PE rails sticking out of them. (If it’s folded down, it should be longer; if it’s folded up, it should have some extra bits for the mechanism that keeps it straight in a folded -off state.) I also noticed a bit late that the loader’s seat was left off… my mistake.

The model went through multiple rounds of priming, as usual. These coats were applied more for checking for mistakes and seams rather than to provide a base coat for the paint, and was applied using a spray-can. The model was ready (I left the gun detached for easier painting), I added a final coat, and then applied Tamiya Olive Drab lightened with some Tan. (The first two photos of the painted model show the color to be a bit too greenish, flat and dull.)
A bit of yellow and ochre filter later the green became quite nice with some brownish hues. I could not find any decals that were small enough to fit onto the model, so it remained un-marked. I used Tamiya’s weathering kit (the makeup set) to apply dust and mud to the vehicle, a silver pen around the edges, to give it a metallic shine, and called it a day.

 

Altogether, the model was a pretty pleasant build -except for the little issues I mentioned. It is certainly quite pricey, as all OKB kits are, but, just like in the case of the Batchat, you really have no other options. Overall I’m pretty satisfied with the results; it is a well recommended model of a very rare subject.

How to make leaves for dioramas

Well, after a three week hiatus (even scale model builders get married sometimes), here’s a quick post on weathering.

There are several options and many products for making leaves. They can be used anywhere: on dioramas, and even on individual vehicles. They are great and subtle way to increase the level of realism: a brown, crumpled leaf on the floor of a vehicle, or stuck between tool boxes make a model look more real.

There are punch-sets (pretty good ones), PE and amazing laser cut, and other aftermarket sets, but there’s a free, and pretty convincing alternative, too, courtesy of the common birch.

From wikipedia:

The flowers are monoecious, opening with or before the leaves and borne once fully grown these leaves are usually 3–6 millimetres (0.12–0.24 in) long on three-flowered clusters in the axils of the scales of drooping or erect catkins or aments. Staminate aments are pendulous, clustered or solitary in the axils of the last leaves of the branch of the year or near the ends of the short lateral branchlets of the year. They form in early autumn and remain rigid during the winter. The scales of the staminate aments when mature are broadly ovate, rounded, yellow or orange color below the middle, dark chestnut brown at apex. Each scale bears two bractlets and three sterile flowers, each flower consisting of a sessile, membranaceous, usually two-lobed, calyx. Each calyx bears four short filaments with one-celled anthers or strictly, two filaments divided into two branches, each bearing a half-anther. Anther cells open longitudinally. The pistillate aments are erect or pendulous, solitary; terminal on the two-leaved lateral spur-like branchlets of the year. The pistillate scales are oblong-ovate, three-lobed, pale yellow green often tinged with red, becoming brown at maturity. These scales bear two or three fertile flowers, each flower consisting of a naked ovary. The ovary is compressed, two-celled, and crowned with two slender styles; the ovule is solitary. Each scale bear a single small, winged nut that is oval, with two persistent stigmas at the apex.

 

There was a reason I hated plant taxonomy at university. Anyhow, it boils down to the following: some parts of the seed pods (not a scientifically correct name) look like maple leaves.

Birdch seed

Mix some white glue with water, and use it to attach these to the surface of the model (or diorama); the seeds themselves can be mixed with this glue, and used as amorphous plant deposits in crevices.

The effect is pretty convincing, and if you live in a country where the tree grows, it’s free. I’ve been using this on the T-62, the Zrinyi II, the D7 dozer I’ve made, and in general, most 1/35 models I’ve been building lately. The one downside is obvious- it looks like my models live in a very uniform forest populated by a single tree; so I’ll be buying some punch sets in the future, that’s for sure.