Tag Archives: games workshop

Avunculus Fragili (Imperial Knight) part 3.

So I never actually liked the result with the Kinght. It is OK, but it is far from how a corrupted, ancient machine should look like. (And it is very far from a Golden Daemon winner.) After my little experiments with oils, I decided to give the Knight a doover. The edges got some serious highlighting, the deeper areas got some grime and shadows -it now looks much better (still no Golden Daemon) than before.

This is what it was like
The magic of oils

Now I can do something about the former, not much about the latter… so oil paints here I come.

All this gave me a serious push to finally start my Chaos Warhound Titan I bought long-long time ago.

Avunculus Fragili part 2.

Well, I introduced him in a previous post. Since then he has undergone some improvement (at least I would like to think so). He is a riot of colors, but he IS a chaos knight after all.

I used one of Wargame Exclusive‘s chaos trophies on the pauldron (the rest will go on the chaos Warhound when I get to build it finally), and some of the extra heads as trophies from the set itself.

So let me introduce Mr Fragile v2.0: a more colorful version. What really, really annoys me that he had a buddy unassembled, and he seems to have gone missing when I moved back to Hungary two years ago. I just can’t find the sprues.

Anyhow. He still needs his mask, some tweaking, and I would add some more weathering- some oil streaks and whatnot. But I have to say I am pretty happy with the result. And I know. It is not a Golden Demon contender… but he is my chaos knight.

Also, if you play, I found a cheaper proxy for Knights.

Some finished photos

Now, where could the other knight be? I even have a resin pilot waiting for it…

Avunculus Fragili

OK, so here is this imperial knight conversion. My 18 month old daughter, when she first saw the “skeleton” without the armor on (pretty hideous sight) cried happily “Uncle Fragile” (or “mister Fragile”, depending on the translation), and started hugging it. She had a concept of my toys being fragile and that it was a male… She is very empathic, by the way. I have Angron himself under painting, and she calls him “Uncle Crying”, and keeps kissing the figure telling him not to cry. Which is both sweet and funny.

Anyhow, this is how the knight looks like presently. I do not like it at all; the paintjob is just the base so it is not finished, but I am not convinced it actually looks the corrupted, twisted parody of its original self.

I wanted to introduce him to the world, and I also welcome any suggestions how to improve it with further painting/weathering; I do have some ideas. We will see how it turns out.

Games Workshop Abaddon… old-school

So I like Abaddon, and have several figures of him. (More coming up later.) It’s not like I have a problem or anything…

Anyhow, since the new Games Workshop figure is coming out, the original, the real figure suddenly appeared on the market for much lower prices than before. This is THE figure of Abaddon- the one spawning memes and ridicules: Abaddon the Armless, Failbaddon and the rest.

I had to have this figure, and for a small sum of five Euros I did get him (from Greece, of all places.)

This is the ebay photo that made me fall in love with him… This is what a five Euro deal looks like…

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I basecoated it with Vallejo German Grey primer, and started working on the details. The dark grey primer is dark enough to be black; however the Heavy Metal style of painting demands highlights everywhere… something I did not look forward to.

So I did the best I can. (Obviously.) In this case I went with the flaming sword look, since the previous Abaddon had a bluish-purplish daemon sword.

Games Workshop – Thousand Sons space marines

Well, two Thousand Sons space marines, both post-Heresy. The first one is a Rubric marine belonging to Ashur-Kai (Talon of Horus, The Black Legion).

Pre-Herey colors with one pauldron painted black, indicating his aliance to the Black Legion.

The other is just your run-of-the-mill Rubric Marine.

Games Workshop – Chaos Space Marine Aspiring Champion

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I love the meanace radiating from his pose. I do not necessarily like the way he turned out.

Let’s face it: miniature painting is also something you have to learn just as scale model building, painting and weathering. Not to mention I still can’t nail down how to paint red. Well, I guess this will be the next big step -after having painted a lot of these guys, I finally need to learn how to do it ‘properly’. The issue was so far that minis were a ‘distraction’ so far between larger armor projects; something to do when you really got fed up with removing ejector pin marks from two hundred track links, and not something I did as my primary interest. I’m pretty OK about how my Death Guard minis have turned out, and some of my nonDeath Guards ones, but I still feel there’s a gulf of difference between my minis and tanks with regards to quality.

 

Since I have quite a few of these figures waiting to be finished, I guess there will be plenty of room for improvement.

Rescuing a botched paintjob and paint stripping…

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Just a quick post about a disaster.
I did kind of mess up the paint job on a space marine back in the days when I was painting these dudes. I tried to strip the paint using isopropyl alcohol, but it came off in flakes, leaving the surface uneven and blotchy. I was seriously thinking about just throwing the poor guy into the recycling bin- and then came the inspiration.

 

Who else has blotchy, corroded armor? That’s right… the Death Guard. Since I was planning to paint up Morty and some of his pals, I thought I’d give glazes a try on this fella before I move onto the big guys… And what do you know? It actually came out looking good. Remember people: there are no mistakes, only happy accidents!

 

Artel W Miniatures – Eisenhorn (Inquisitor)

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I always loved the dark, hopeless world of Warhammer 40K (look up Grimdark when you have some time).

This is an universe where even the good guys are worse than any actual historical monster you can think of: a collection of xenophobic, genocidal maniacs in different shapes of forms -and that’s only the Imperium of Man. Superhuman, gene crafted soldiers who think themselves as actual Ubermensch, the Imperial Guard, an armed force that throws millions into the meatgrinder without a thought, and of course the shadowy and all powerful Inquisition that oversees the civilian aspects of life in the Imperium. Add to this all the external threats: aliens, renegades and heretics, and you have an empire that is held together by tape and strings, threatened by multiple external and internal forces each of which could spell its doom it by itself, let alone together. So what’s not to love?

There’s a huge collection of books published by Black Library set in this universe; and a large portion of them are frankly no better than some badly written fan-fiction. However there are gems which are great on their own rights, and they are absolutely worth reading and re-reading. The Eisenhorn Trilogy is one of these book series which is a really, really good story regardless of its origins. (Space fantasy tends to be looked down upon by the “purists” of the SF genre, hence the second part of the sentence.)

The series detail the journey of an Imperial Inquisitor, Gregor Eisenhorn from a young idealist on the path of corruption and ruination. Due to external circumstances and small, seemingly unimportant or small actions and choices of his own he becomes something he would have recognised (and executed without a thought) as a heretic in his youth. The story is complex, and quite an interesting one; after all, the same path is trodden by many people who acquire power. Why I like the story (apart of the quality of writing, of course) is how easily it can be transposed onto our own real world: very few people start out with the intention of becoming corrupt, or do evil. Corruption comes gradually with seemingly small and insignificant steps, yet it will twist the person beyond recognition. (Not to mention Eisenhorn remains true to his mission: fighting for humanity, which adds an extra layer of complexity to the story.)

Since I love the story, I wanted to make an Eisenhorn figure, of course, which can be an issue in WH40. Not all characters have figures available, not to mention the silly poses (it seems like everyone and their mother are shouting and pointing at stuff in the grim future). It is fair enough because they WERE made for a tabletop game, but for a modeller it’s a definite problem if you want your figures in a more dignified (and realistic) pose. In case of this specific figure the pose is actually quite nice (and he has his signature sword), the proportions are good, but the problem is that the figure is out of production and hard to get. Not to mention it depicts our favourite inquisitor towards the end of the trilogy; I prefer him in his prime.

Enter the blooming resin industry. There are several companies producing alternatives, conversions for the WH40/Warhammer games; these are miniatures that are not nearly enough similar to the originals to be considered as copyright infringements, but they are close enough to be clear what they supposed to represent. A lot of these conversions and figures are produced because there are holes in the market (if there is no available set by GW; for example conversion sets for space marines for specific legions or chapters), or straight-out improvements. In case of the Chaos Rhino, Mortarion or Abaddon figure in my opinion they are definite improvements, for example. And now we review Eisenhorn, produced by a Russian company, Artel W Miniatures. (Shortly after this figure was issued, WG announced that they were coming out with a new Eisenhorn figure, so now we have three… Choice is a good thing.)

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The name of the miniature is very close to the originals, so it is abundantly clear who it refers to, even if you don’t know the iconic painting of the inquisitor (which actually inspired the books according to the author). The figure essentially copies the artwork: we have Eisenhorn strolling forward with a gun and a tube in his hand, his runestaff mounted on his back. (This setup puts the figure to the last few chapters of the second book, or the first chapters of the third.)

The figure comes in a very impressive package: a box wrapped in brown paper with a wax seal… I have to say I felt quite reluctant to open it, as it had this exclusive feel to the whole set. It’s a feel definitely something you don’t really get when you get a blister pack. (Admittedly it’s not a priority when you buy something, but still.) The paper covers a cardboard box, which contains the few pieces of the model itself, sealed in ziplock bags.

The model consists the torso with the cape, the lower part of the body, the two arms and the runestaff. His iconic power sword is not included, but to be fair it’s not on the original artwork, either. Regardless, he should have Barbarisater on his hip. (Quite possibly the tube could be replaced with a sword.) Despite of the small size of the figure the detail is very fine and impressive; the chains, the folds of his clothes, the inquisitorial rosette, the gun are all very well defined. The expression on his face (which is anatomically well proportioned) is quite grim, but this is the only appropriate expression for him, as you will learn from the books if you have not read them already, so that’s quite on the money, too.

The assembly is very quick. There’s very little cleanup required: mostly the parts where the torso meets the lower body. There is no flash on the bits. The arms fit into their slots well.

Painting was a joy- but I am not a master by all means. Only after looking at the photos do you realise how hard it is to paint a miniature on a professional level for the box art (like the above examples of GW’s minis). When you look at this figure with your eyes it actually looks pretty good. Once you bring out the macro can you see the imperfections and mistakes. Oh well. I can always claim to be an amateur.

The leather overcoat was base colored using snakebite leather, and then layered lots of different brown oil paints on top, trying to achieve the leather effect. The cloth underneath was painted regal blue, the trousers antracite, and the boots gloss black. The stash and the parchment of the purity seal was painted white, and were given a coat of brown filter. The metallic details were painted with AK Interactive’s True Metal gold and steel.

The runestaff was painted with a mixture of these metal paints; the skull in the middle was painted deep green, and some random smears of lighter green and black, covered with nuln oil. (It was supposed to be carved from a warp-infused stone. There you go: here, on this blog only, the sole accurate Eisenhorn Miniature in existence…)

Basically, that’s it. It’s a high quality miniature of an iconic character from the WH40K universe; if you missed the original “official” figure, or don’t like the newer one, now is your chance to get one for your collection. His nemesis/ally, Cherubael is coming soon.

 

Games Workshop – Lord of Contagion

 

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It’s really hard to depict what “Chaos” and “corruption” is; figures, artwork and even novels resort to the usual tentacles, horns, crab-pincers, boobs, and in case of the Death Guard, decomposition and disease. (There’s an awesome video explaining what Chaos really is.) In this latter case I actually think they were right on target; these new figures -except for the silly blob-daemons all over- are pretty cool. They truly look corrupted and frightening. After doing the Chaos Rhino I was looking for another Death Guard figure to paint.

I have to admit I do not know anything about this particular figure, its stats and how it’s supposed to be played; I bought it on Ebay because I liked the pose. (I think it’s better than the Typhus models.)

The painting went reasonably simple; I decided to try using glazes. I created the glaze using ordinary Citadel paints and lahmian medium. I primed the model with Vallejo German grey primer, and then started adding layers upon layers of green mediums (and some brown) in different hues to depict the filthy, corroded, corrupted armor. The cape got a similar treatment using mostly browns with some green; once I got a nice base color I added streaks of oil paints directly from the tube. Once I was happy with the overall effect of the armor, I added dark brown pin-washes to add depth to the model. I painted the brass parts with Citadel Tin and dark bronze; the edges got some Vallejo True metal gold, and then a very thin varnish of turquoise to depict oxidated bronze. After the turquoise varnish I highlighted some edges with gold again.

The fumes of the figure were painted with different brightness of green: starting with a very bright, very light green, and building up darker and darker colors, with the light colors showing only in the deep recesses. As the last touch I rubbed some black pigments on the most protruding parts signifying smoke.

The pipe was an addition from Grim Skull Miniature’s Mortarion model (it came with two pipes). The base will need some work, but for now I declare this figure done.

I think it turned out pretty nice for an armor modeller. Milage may vary.